How Much Do You Plan Your Paintings?
Hex
Oil on Canvas
16″ x 12″
© 2009 Marilyn Fenn
I recently read an article by a representational painter on another blog, in which the writer said that one should very carefully and thoroughly plan one’s paintings. My first thought was, “No waaaaay!” That would take all the fun out the process of discovery that, for me at least, is a great deal of what painting is about. Feeling a little smug, I thought of the following much-loved quote:
You are lost the instant you know what the result will be. – Juan Gris
How Do You Know When You’re Done with a Painting?
“Bubbling Up”
Oil on canvas
6″ x 6″
© 2009 Marilyn Fenn
I was in a class several years ago in which another student complained about painting abstractly, because she didn’t know where to stop. She said when she worked representationally, at least she knew when she was done — for her, it was when the painting looked like the thing she was representing. Of course, it’s not as simple as that for many representational painters, but often it seems when one is just starting to draw and paint, success is measured by how close one’s piece gets to looking like the object or scene one is depicting.
Tips for Improving Your Paintings
Drawing by Rembrandt van Rijn
“Reclining Lion”
pen and paint brush
ca. 1650
Class notes from art camp classes with George Liebert and Dan Gustin, Oxbow, MI, summer 1991.
Make a list of verbs and adjectives about your own work.
When struggling with a work, isolate parts of it and do lots of sketches to come up with a better composition.
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