Museum & Gallery Exhibits > Song Kun at the Hammer Museum

Song Kun at the Hammer Museum

Painting by Song Kun It's My Life 05-08-31 2005 Oil on canvas. 10 5/8 x 13 3/4 in. (27 x 35 cm)

Painting by Song Kun
It’s My Life 05-08-31
2005
Oil on canvas. 10 5/8 x 13 3/4 in. (27 x 35 cm)
Courtesy of UniversalStudios-Beijing, Beijing, China

Several great exhibits at the Hammer Museum

Today, our final day in LA, we headed over to the Hammer Museum to see Eden’s Edge: Fifteen LA Artists: Ginny Bishton, Mark Bradford, Liz Craft, Sharon Ellis, Matt Greene, Elliott Hundley, Stanya Kahn & Harry Dodge, Monica Majoli, Matthew Monahan, Rebecca Morales, Lari Pittman, Ken Price, Jason Rhoades, Anna Sew Hoy, and Jim Shaw.

Death Rider (Virgo) by Liz Craft

“Death Rider (Virgo)” by Liz Craft

New Moon and Palm Trees by Sharon Ellis

On our way out, we almost missed a small show by emerging Chinese painter Song Kun, who filled a small gallery with 97 daily paintings of her life…fabulous! Her work ranges from part drawn, part painted canvases to fully realized and very well-done representational works to a number of blank canvases. At first, I took one quick pass through the gallery, intending that to be it; then went back and looked at each painting more closely, then went back again, by this time fully drawn into her mesmerizing paintings. This was my favorite art of all that I’ve seen on this coastal trip!

“New Moon and Palm Trees” by Sharon Ellis.

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I have also come to the conclusion that the square is a human invention, which makes it sympathetic to me. Because you don’t see it in nature. As we do not see squares in nature, I thought that it is man-made. But I have corrected myself. Because squares exist in salt crystals, our daily salt. We know this because we can see it in the microscope

— Josef Albers
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  • I love the way you dealt with paint in this one. For some reason, my eye gets attracted to this thing in the left bottom corner, as though it is the figure of the artist who wonders at her painting…It is interfering, in a sense. But it is also essential; it adds something like an intrigue to the piece.
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