New Painting: Hare Skin Rug (Bugs Bunny)

"Hare Skin Rug" Oil on canvas 8" x 8" © 2011 Marilyn Fenn

“Hare Skin Rug”
Oil on canvas
8″ x 8″
© 2011 Marilyn Fenn

Until my painting of Marvin the Martian a few days ago, I went nearly two weeks without painting (argh!) — quite an interruption in this almost daily schedule I’m trying to keep to.

We went to Oregon for a week, which was wonderful!  We went for my brother’s wedding, and then traveled around just a bit down the coast: walked for hours on beaches in Cannon Beach and Newport, and from the balcony of our hotel room in Newport, we watched whales surfacing off in the distance under a sunset.  We saw a lot of art in Eugene and Portland, and ate too much pretty good food.

It was also the first  time we took an airplane in 6 years.  We are trying to reduce our carbon footprint, and so have been traveling by train since 2005, but as much as we prefer train travel, it just didn’t make sense for this trip.   The plane trips were not as bad as I feared; no crashes, no trouble with the TSA, no lost luggage, and only one really late flight (storms in Denver), though we did have to forfeit a bottle of water and a Leatherman.  The clouds were awesome, which I really enjoyed (I take lots of photos of clouds from planes whenever I do fly).

I also came down with the worst case of allergies I’ve ever had, which I’m finally almost over after two weeks.

Plus, I got an illustration gig while I was vacationing that required me to spend two 14-hour days upon our return drawing illustrations for a book publishing company in London (and two days in recovery from staying up late drawing with a mouse!).

So, I’m feeling the interruption, but trying to get back into the swing of things.  For this painting, I decided to paint something soft.   This is a small stuffed Bugs Bunny toy.  I used only 4 colors in this painting: white, cadmium red, thalo turquoise and—just for the eyes—black.  I attempted to use very few, yet descriptive, brushstrokes; standing as far away from the easel as possible while still allowing my hand and brush to reach the canvas.  I think I succeeded in not overworking it, but did I underwork it?  I’m not totally sure.

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As you work, the mood grows on you. There are certain images which suddenly get hold of me and I really want to do them. But it’s true to say that the excitement and possibilities are in the working and obviously can only come in the working.

— Francis Bacon
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Comments on My Paintings
  • This is wonderful, Marilyn. Had to stop and study all the interesting and intriguing items you’ve placed in this still life. Beautiful values and tones!
Gallery of Recent Paintings
Discreet Investigation of Exuberance - Oil painting by Marilyn Fenn Throwing Off Her Robes - Oil on Canvas -12 x 12 - © 2015 Marilyn Fenn Our City - Oil painting by Marilyn Fenn Composition Number 2, 2013 - Acrylic on panel - 8 x 10 - © 2013 Marilyn Fenn