I evolved a way of looking at paintings which was massively time consuming and deeply rewarding. For I came to recognize that it often took the first hour or so in front of a painting for stray associations or motivated misperceptions to settle down, and it was only then, with the same amount of time or more to spend looking at it, that the picture could be relied upon to disclose itself as it was….
Finished This One Sunday
Well, it is essentially the same as when I first painted it, maybe a month ago, but I repainted the whole thing on Sunday, and made a few changes.
The colors on my monitor are not exact: the dark blues are purpler in person, and the fushias are redder and brighter, the cyans are maybe a tad greener or yellower, but even using selective color sliders on every color in PhotoShop, I can’t seem to capture all the colors correctly at the same time. 🙁
OTOH, you may see this completely differently than I do, depending on your monitor. And there’s nothing I can do about that. Still planning to buy calibration software the next time I have any money.
At any rate, this whole color thing is terribly frustrating, as for me, the colors are the thing (or at least one of the 3 or 4 most important things in this body of work), and I wish you could see the relationships as they truly exist. Maybe someday I’ll figure it out, or maybe you’ll come to my studio. 😉