For me nature is not landscape, but the dynamism of visual forces.. an event rather than an appearance. These forces can only be tackled by treating color and form as ultimate identities, freeing them from all descriptive or functional roles.
Just spent a lovely few minutes meandering through dozens of famous artists’ studios, courtesy of Joe Fig (who wrote the book “Inside the Painter’s Studio”, which I highly recommend, if you’re into such things).
Here are a few of my favorite examples:
I love all of these; lots of inspiration for how to do a studio (if you had the space), and a few good ideas for taborets. I love Morley’s pegboard for tubes of paint and Fischl’s organized taboret with oh-so-many drawers!