Am I Done Yet?
“Traces”
Encaustic and Mixed Media on Paper Mounted on Birch Panel
12″ x 12″
© 2009 Marilyn Fenn
I think I started this painting almost two years ago! I was never quite satisfied with it, though. There was something about the left-hand side of the painting that I just could never resolve. In the process of my attempts to resolve the left-hand side, some of the crispness on the right-hand side got literally blown away, since it is encaustic, and I am using a hot air gun to fuse the layers of wax. The air tends to blow the paint around and blend it together, which I used to my advantage in the nuclear bomb, tornado and poppy paintings, but I had carved the stems into this painting, and carefully filled them in with oil paint. Subsequent workings blew those lines around, the little ball-shapes got smushed or distorted, and I eventually put the piece aside until a couple of days ago.
Update: I decided the dark piece of raffia was too much of a divider, and also reworked some of the shapes and lines I had lost in the process of working on this piece. Some little bits of raffia remained embedded in the wax, and I kind of like that. So I think I’m done…time will tell.
Here’s the only picture I have of what it looked like up until a couple of days ago:
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On the left is what it looked like the morning of March 31st after a couple more working sessions, while on the right is how it looked on the afternoon of March 31st:


It is encaustic and mixed media on watercolor paper mounted on birch plywood, 12″x12″.
If you have a suggestion for a title, I’d love to hear that. I can’t recall the name of the dried plant that inspired this piece…










Beautiful piece – love the combination of wax and ink-on-rice-paper! Aside from maybe a tweak on that last piece of raffia, I'd say it's done
It's getting better with every re-work! It reminds me of pressed flowers… maybe you could find a title around that theme?
Thanks, Haley! Nah, I don't think I'm done yet after all…I DO like your idea for a name. I'll cogitate on that a while…
M, I like it. I reminds me of floral abstracts. My old U of Houston art teacher, John Alexander (who has hit the big time as an artist who is COLLECTED and he resides in Manhattan) does similar floral lithos, but more realistic.
Look him up on Google. Or look him up no Flatbed press's website. Check out his brown-tone litho of longstem roses….for only $3K…..I went to Flatbed and saw them in person. The print is to die for…if only…..
I think your piece is lovely. What did you use to mount the piece–the adhesive? I am
running into this problem because I want to mount a monotype that was done on thin
paper, imaged directly off the hot plate.
Karen, I use "Yes Paste." It's archival, available from most art supply stores. I think some artists may use acrylic medium, but I'm not sure what kind, so I haven't tried it.
Good luck, and thanks for the compliment!